Shabi Ke Mah Kamel Shod about the Movie
”Shabi Ke Mah Kamel Shod” was the fourth film irani by Narges Abyar and Producer Mohammad Hossein Ghasemi. The director attended Fajr Film Festival with movies “Nafas”, “Track 143” and “Objects in the mirror are closer than they appear”. Women in all three films received awards from various national and international festivals.
The narrative of a young girl from the southern part of Tehran, falling in youthful love, continues. The relaxing mood of love accompanies the audience from the beginning.
Somehow she has to migrate from Iran to Pakistan. This narrative is beautifully made. The movie starts with the adventures of terrorism and turns from a social melodrama into a tragic film.
lnaz Shakerdoost, Hutan Shakiba, Fereshteh Sadr Efraei, Shabnam Moghadami, Pedram Sharifi and Farid Sajjadi Hosseini.
Watch ”Shabi Ke Mah Kamel Shod”
“Shabi Ke Mah Kamel Shod ” is an important film in Iran’s cinema. First of all, because of the selection of a subject. The real events are controversial. The wounds of the survivors and the relatives of the victims of these events are still fresh. In addition, as in this film jadid Irani, there are few cinemas in Iran. A movie that goes with a bold cursor to a real issue. Watch it and make a personal judgment. It’s inviting the audience to give a personal judgment about it. Of course, it can be compared with recent Iranian movies like “Texas 2‘ ”Rahman 1400” or ”Metri Shishonim”. “Shabi Ke Mah Kamel Shod” is in another level. With its storytelling methods and visual expressions. The who watch Iranian movies online will understand the difference
The actors are the release of the Movie
From Hutan Shakiba, who moved from his characters to the lenses. Farsakhs to Elnaz Shakordost, who, undoubtedly, was the star of the “Shabi Ke Mah Kamel Shod”
Homme Sidi, who had the screen on the screen of the rusty little brains. And, in my opinion, the best Iranian film of the year 97, was to play the role. Hutan Shakiba became the main actor in his film.
The first public release of the movie “Shabi Ke Mah Kamel Shod” was in Cyrus Campus. With Elnaz Shakerdoost, Hutan Shakiba, Pedram Sharifi, Fereshteh Sadra Arafiy and Narges Abyar Mohsen Chavoshi.
One part from the movie with the voice of Mohsen Chavoshi published in the second week of October 24th of June.
The movie “Shabi Ke Mah Kamel Shod” with a spin
Abdul Hamid in the Tehran market loves Faezeh’s eyes. The daughter of one of her customers. The lady who, in the absence of her father, has grown so hard Faezeh and Shahab, does not have the bridegroom. But with all this, the love of the girl and her husband blows in opposition. And Abed al-Hamid’s wife becomes Fazez. Abdul Hamid’s life and family problems come to Fayeza after marrying.
The family of Abdul Hameed is wanted and involuntarily involved in citizenship crimes. Including the custody of weapons. This is a reason for Faezeh to take his family away. from the risk of a decision to leave the country in Europe. Despite the mother-in-law’s resistance to her brother to take refuge in Pakistan. “Shabi Ke Mah Kamel Shod” is based on a true story. At first glance, it is a calm romance, but at the end of its story leads to a bitter tragedy.
Female point of view for male violence
Because of ”Shabi Ke Mah Kamel Shod” Narges Abyar got a special position among female Iranian female screenwriters. As she is one of a few Iranian female filmmakers to express her desires. She made a true story about the terrorist group and Takfiri Jandallah in the southwest of Iran.
A group that they consider to make terrorist acts and brutal killings in the Sistan-Baluchistan region have the Wahhabi-anti-Shiite jihadist ideology. As well as with motives come from ethnic hatred, has led to chaos. With a vigorous and feminine approach. Abyar turned the military and security issue into a propagandistic and problematic and a humorous and engaging film about the woman.
She gets involved in this violent and terrorist group. Instead of the story of Abdul Malik Rigi, the leader of the Jundullah group, went to Faezeh, the bride of the family of Abdul Malik Rigi. Who, in his eyes, has narrated the story of the violence of the Rigdi brothers and their dangerous and deadly ideology. However, it was very cautious and humane in characterizing the members of the Rigi family. Especially the character of Abdul Hameed Rigi, Faeze’s husband and his mother.
Instead of typing and making a cliché character from Faiza’s husband and portraying him as a monster, She portrays as a human, and his evolution from a young lover who can’t tolerate the killing of a kid and in fact is a brutal terrorist. “In Shabi Ke Mah Kamel Shod” Faezeh’s point of view (first person) largely closed hands-on Ayyar in the narrative of the story of Rigi and she had to abandon this angle in the sequences related to the operation of the terrorist fight with the Iranian army and the arrest and execution of Faezeh’s brother Shaab.
In one of the sequences of “Shabi Ke Mah Kamel Shod”, Faezeh, on the pretext of buying meat, actually calls his mother into a slaughterhouse and the camera, from his sight, depicts scenes of slaughter of sheep and descends the trapping stings on meat carcasses. It is a symbolic visualization of violence and cruelty. That is done by the men of the Rigi family.
Masoud Sakatouost’s music well matches with the atmosphere of the themes and melodies of the south-western region of Iran. As well as the Mohsen Chavoshi’s soundtrack for the film. The performance of Hutan Shakiba in the role of Abdulhamid Rigi and Fereshteh Sadr Efari in her mother’s role is admirable. He certainly deserves to be nominated for Simorgh. Elnaz Shakir Dost also appears to have a good overall appearance, but his play on some scenes, especially the scene of his dispute with Rigi’s mother and screaming scene, is exaggerating in his final sequence against his husband when she dsicovers his crimes.
“Shabi Ke Mah Kamel Shod” not only reflects the ability Narges Aribar create a major military-war film. But also it expresses the technical and industrial capabilities of Iranian cinema to rebuild massive historical events.